Brendan Power & Alternative Harmonicas Forum

The tuning in this Subject can be either of the two Seydel Big Sixes mounted on Brendan's Seydel Twin Big-Six Comb (at http://www.brendan-power.com/combs-diatonic.php ).

The tuning in this Subject can be either of two Seydel Big Sixes mounted on Brendan's Seydel Twin Big-Six Comb (at http://www.brendan-power.com/combs-diatonic.php ).

The overall tuning in this Subject can be accomplished using two Seydel Big Sixes mounted on Brendan's Seydel Twin Big-Six Comb (at http://www.brendan-power.com/combs-diatonic.php ).

The overall tuning in this Subject can be accomplished using two Seydel Big Sixes mounted on Brendan's Seydel Twin Big-Six Comb (at http://www.brendan-power.com/combs-diatonic.php ).

‘On the Road Again’ was recorded by the American blues-rock group Canned Heat in 1967. The distinctive harmonica solo first played by Alan ‘Blind Owl’ Wilson utilizes a special tuning adjustment. Played on a harp in key A in cross/2nd position E, adjustments to draw reed 6 are made by raising the pi...

‘On the Road Again’ was recorded by the American blues-rock group Canned Heat in 1967. The distinctive harmonica solo first played by Alan ‘Blind Owl’ Wilson utilizes a special tuning adjustment. Played on a harp in key A in cross/2nd position E, adjustments to draw reed 6 are made by raising the pi...

If you had a non-Richter tuning that results in a whole number of octaves plus one or two extra notes, would you put the bonus notes on the low end or the high end? Why?

BASIC IDEA: THIS IS NOT A REAL THING! THIS IS NOT A REAL THING! THIS IS NOT A REAL THING! THIS IS NOT A REAL THING! It is a digital representation of a fantasy of a real thing! In my mind it would be full-length (i.e. same as a 10-holer). Anyway, how would you tune it for beginners, klutzes or very ...

MAIN IDEA: To compare three tunings in the context of playing blues. DETAILS: This analysis comes with its own set of rules/constraints/assumptions/caveats. All analyses do. If a person wants to look at things in a different way, they certainly may do so and I for one would be happy to learn from an...

According to Posner and Strike’s research on the conditions necessary for conceptual change, there must be: (1) dissatisfaction with existing conceptions; (2) a new conception must be intelligible; (3) a new conception must appear initially plausible; and (4) a new conception should have the potenti...