Brendan Power & Alternative Harmonicas Forum

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NAME: "FiG Bob CuD" Neck Rack tuning for 12-hole harp BASIC CONCEPT: Recently I have felt the need for five particular chords in a lot of blues/pop/rock tunes. From low voicing to high, they are: bVII (in this example, Fmaj), I (Gmaj), bIII (Bbmaj), IV (Cmaj) and V (Dmaj). Each of these chords has ...

NAME: “FiG DoC” Neck Rack Tuning for 10-hole harp BASIC CONCEPT: This tuning is designed especially for folks who play harp in a neck rack. There are four FAT chordal zones, one each for the bVII (in this case, F), I (G), V (D) and IV (C) chords--and also their b7ths! As far as chord-chugging goes,...

NAME: “CoG DoC” Neck Rack Tuning for 10-hole harp BASIC CONCEPT: This tuning is designed especially for folks who play harp in a neck rack. There are three FAT chordal zones, one each for the I, IV and V chords--and also their b7ths! As far as chord-chugging goes, this tuning should be very forgivi...

QUESTIONS: 1. Have you joined two harps, in an over-under fashion, using magnets such as neodynium? 2. What size/shape/strength of magnet works well? 3. How do you get the angle and distance between the two harps "just right"? 4. Any issues with the magnets scratching the cover plates? Are the magn...

See also: "FiG Bob CuD" tuning for 10-hole harp

See also: "FiG Bob CuD" tuning for 10-hole SWITCH harp

See also: “CoG CuD” Neck Rack Tuning for 10-hole harp .

NAME: “FiG Bob CuD” tuning for 10-hole SWITCH harp BASIC CONCEPT: This tuning features seven FAT chordal zones, one or more for each of the following: bVII (in this case, Fmaj), I (Gmaj), bIII (Bbmaj), IV (Cmaj) and V (Dmaj). Each of these seven chordal zones includes the option of playing the majo...

NAME: “CoG CuD” Neck Rack Tuning for 10-hole harp BASIC CONCEPT: This tuning is designed especially for folks who play harp in a neck rack. There are three FAT chordal zones, one each for the I, IV and V chords--and also their b7ths! As far as chord-chugging goes, this tuning should be very forgivi...